<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2715662057889678735</id><updated>2011-11-07T03:18:45.300-02:00</updated><category term='programação'/><title type='text'>Mostra Alain Resnais</title><subtitle type='html'>Patrocínio Banco do Brasil, apoio Embaixada da França. Realização Abajour Lilás e Jurubeba Produções&lt;br&gt;&lt;br&gt;
&lt;b&gt;19 de agosto a 7 de setembro - CCBB Rio de Janeiro&lt;br&gt;
4 a 21 de setembro - CCBB São Paulo&lt;br&gt;
16 de setembro a 5 de outubro - CCBB Brasília&lt;/b&gt;&lt;br&gt;&lt;br&gt;
Debates e cursos no Rio e em São Paulo;
Exibição de todos os filmes em formato original, com 7 cópias novas.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>10</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-8752338344113242353</id><published>2008-08-22T15:17:00.005-03:00</published><updated>2008-08-26T10:07:06.679-03:00</updated><title type='text'>A mostra em outros sites</title><content type='html'>&lt;span&gt;&gt; &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://oglobo.globo.com/blogs/docblog/post.asp?t=resnais_memoria_documentario&amp;amp;cod_Post=120704&amp;amp;a=74"&gt;DocBlog - Blog do Carlos Alberto de Mattos no O Globo online&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://www.revistacinetica.com.br/naagenda.htm"&gt;Revista Cinética&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://www.cartacapital.com.br/app/materia.jsp?a=2&amp;amp;a2=10&amp;amp;i=1836"&gt;Carta Capital&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;a href="http://jbonline.terra.com.br/editorias/textosdoimpresso/jornal/cultura/2008/08/11/cultura20080811004.html"&gt;&lt;span style="font-weight: bold;"&gt;JB online&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;a href="http://cinema.uol.com.br/album/alain_resnais_album.jhtm"&gt;&lt;span style="font-weight: bold;"&gt;UOL Cinema&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;a href="http://www.criticos.com.br/new/artigos/critica_interna.asp?artigo=1554"&gt;&lt;span style="font-weight: bold;"&gt;Criticos.com.br&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;a href="http://cineclick.uol.com.br/noticias/index.php?id_noticia=20457"&gt;&lt;span style="font-weight: bold;"&gt;Cineclick&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&gt; &lt;a href="http://www.revistafatorbrasil.com.br/ver_noticia.php?not=50272"&gt;&lt;span style="font-weight: bold;"&gt;Revista Fator Brasil&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&gt; &lt;a href="http://www.cinemaemcena.com.br/FORUM/forum_posts.asp?TID=15832"&gt;&lt;span style="font-weight: bold;"&gt;Cinema em Cena&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&gt; &lt;a href="http://www.cineplayers.com/noticia.php?id=2311"&gt;&lt;span style="font-weight: bold;"&gt;Cine Players&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&gt; &lt;a href="http://www.cinetotal.com.br/noticia.php?cod=1627"&gt;&lt;span style="font-weight: bold;"&gt;Cine Total&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&gt; &lt;/span&gt;&lt;span&gt;&lt;a href="http://www.comunidadefb.com.br/noticias/?p=709"&gt;&lt;span style="font-weight: bold;"&gt;Comunidade FB&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&gt; &lt;a href="http://www2.af.rec.br/noticia.kmf?noticia=7583414&amp;amp;canal=85&amp;amp;total=2510&amp;amp;indice=0"&gt;&lt;span style="font-weight: bold;"&gt;Aliança Francesa&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&gt; &lt;/span&gt;&lt;span&gt;&lt;a href="http://www.guiadasemana.com.br/noticias.asp?/Alain_Resnais_e_tema_de_curso_no_Rio/CINEMA/RIO_DE_JANEIRO/&amp;amp;a=1&amp;amp;ID=11&amp;amp;cd_news=42128&amp;amp;cd_city=36"&gt;&lt;span style="font-weight: bold;"&gt;Guia da Semana&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&gt; &lt;a href="http://www.overmundo.com.br/agenda/retrospectiva-alain-resnais-a-revolucao-discreta-da-memoria-no-ccbb"&gt;&lt;span style="font-weight: bold;"&gt;Overmundo&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-8752338344113242353?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/8752338344113242353/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=8752338344113242353' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/8752338344113242353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/8752338344113242353'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/docblog-blog-do-carlos-alberto-de.html' title='A mostra em outros sites'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-4943807399104909120</id><published>2008-08-22T15:07:00.009-03:00</published><updated>2008-08-22T16:27:11.154-03:00</updated><title type='text'>Na imprensa em 19 e 20 agosto</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Carta Capital&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_IecNWFpDC7U/SK8S3mwHjNI/AAAAAAAAAQw/M5q3LYurSSw/s1600-h/Carta+Capital+2008.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_IecNWFpDC7U/SK8S3mwHjNI/AAAAAAAAAQw/M5q3LYurSSw/s400/Carta+Capital+2008.jpg" alt="" id="BLOGGER_PHOTO_ID_5237425638159650002" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;O Globo - capa 2º Caderno&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_IecNWFpDC7U/SK8ByQRSUQI/AAAAAAAAAQo/Tz8Tc-q9RHE/s1600-h/O+Globo+1908+a.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_IecNWFpDC7U/SK8ByQRSUQI/AAAAAAAAAQo/Tz8Tc-q9RHE/s400/O+Globo+1908+a.jpg" alt="" id="BLOGGER_PHOTO_ID_5237406854527734018" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;O Dia&lt;/span&gt;&lt;a style="font-weight: bold;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_IecNWFpDC7U/SK8BUyTX8XI/AAAAAAAAAQg/2lUWUjo9OXI/s1600-h/O+Dia+1908.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_IecNWFpDC7U/SK8BUyTX8XI/AAAAAAAAAQg/2lUWUjo9OXI/s400/O+Dia+1908.jpg" alt="" id="BLOGGER_PHOTO_ID_5237406348267221362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Extra&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_IecNWFpDC7U/SK8A0RgynUI/AAAAAAAAAQY/BHmYdFuX06A/s1600-h/Extra+1908.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_IecNWFpDC7U/SK8A0RgynUI/AAAAAAAAAQY/BHmYdFuX06A/s400/Extra+1908.jpg" alt="" id="BLOGGER_PHOTO_ID_5237405789709311298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Tribuna da Imprensa&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_IecNWFpDC7U/SK8AgMnfNNI/AAAAAAAAAQQ/PdQJrtGt9ZQ/s1600-h/Tribuna+1908+a+copy.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_IecNWFpDC7U/SK8AgMnfNNI/AAAAAAAAAQQ/PdQJrtGt9ZQ/s400/Tribuna+1908+a+copy.jpg" alt="" id="BLOGGER_PHOTO_ID_5237405444797838546" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-4943807399104909120?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/4943807399104909120/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=4943807399104909120' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/4943807399104909120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/4943807399104909120'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/matrias-19-agosto.html' title='Na imprensa em 19 e 20 agosto'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_IecNWFpDC7U/SK8S3mwHjNI/AAAAAAAAAQw/M5q3LYurSSw/s72-c/Carta+Capital+2008.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-7296379518227263403</id><published>2008-08-19T08:55:00.001-03:00</published><updated>2008-08-19T08:59:17.765-03:00</updated><title type='text'>Jornal do Comércio - Cultura - 3ª página - 15 agosto</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_IecNWFpDC7U/SKq1M9yRAoI/AAAAAAAAAQA/SD1vVurgjzo/s1600-h/JC+1508.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5236196751120073346" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_IecNWFpDC7U/SKq1M9yRAoI/AAAAAAAAAQA/SD1vVurgjzo/s320/JC+1508.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-7296379518227263403?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/7296379518227263403/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=7296379518227263403' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/7296379518227263403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/7296379518227263403'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/jornal-do-comrcio-cultura-3-pgina-15.html' title='Jornal do Comércio - Cultura - 3ª página - 15 agosto'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_IecNWFpDC7U/SKq1M9yRAoI/AAAAAAAAAQA/SD1vVurgjzo/s72-c/JC+1508.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-8645787965473552872</id><published>2008-08-14T00:55:00.002-03:00</published><updated>2008-08-14T00:58:28.312-03:00</updated><title type='text'>Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS</title><content type='html'>&lt;span style="font-family:trebuchet ms;"&gt;Curso ministrado pelo Prof. Dr. Joao Luiz Vieira (UFF).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong&gt;Terças, quartas e sextas, de 13 às 15h, de 19 de agosto a 5 de setembro no Rio de Janeiro.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Todos os inscritos receberão o catálogo da mostra, entrada gratuita nas sessões que acontecem imediatamente após as aulas e um certificado no final do curso.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Inscriçoes: R$ 30,00 (inteira) e R$15,00 (estudantes), no balcão do CCBB (Rua Primeira de Março, 66. Tel.: 3808 2020)&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-8645787965473552872?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/8645787965473552872/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=8645787965473552872' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/8645787965473552872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/8645787965473552872'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/curso-tempo-e-memria-o-cinema-de-alain_14.html' title='Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-7772191165622330845</id><published>2008-08-11T22:32:00.003-03:00</published><updated>2008-08-11T22:55:15.255-03:00</updated><title type='text'>Jornal do Brasil - Caderno B - 3ª página - 11 agosto</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_IecNWFpDC7U/SKDotpRrL3I/AAAAAAAAAPM/Lhz4eRPgFbA/s1600-h/JB-CadernoB-11ago08.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_IecNWFpDC7U/SKDotpRrL3I/AAAAAAAAAPM/Lhz4eRPgFbA/s400/JB-CadernoB-11ago08.jpg" alt="" id="BLOGGER_PHOTO_ID_5233438637876260722" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-7772191165622330845?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/7772191165622330845/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=7772191165622330845' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/7772191165622330845'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/7772191165622330845'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/jb-11-agosto.html' title='Jornal do Brasil - Caderno B - 3ª página - 11 agosto'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_IecNWFpDC7U/SKDotpRrL3I/AAAAAAAAAPM/Lhz4eRPgFbA/s72-c/JB-CadernoB-11ago08.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-4588959755477416013</id><published>2008-08-11T14:55:00.017-03:00</published><updated>2008-08-11T20:34:54.982-03:00</updated><title type='text'>Filmes exibidos na mostra</title><content type='html'>&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;VAN GOGH&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;1948, p&amp;amp;b, 35mm, 8 min&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Gaston Diehl e Robert Hessens. Texto&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;: Gaston Diehl. &lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Evocação da vida e obra do pintor Vincent Van Gogh, partindo unicamente de suas telas. O mundo interior do pintor é explorado através de suas próprias imagens e personagens.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;PAUL GAUGUIN&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;1950, p&amp;amp;b, 35mm, 12min&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Gaston Diehl. Texto: Gaston Diehl e os escritos de Paul Gauguin. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Seguindo o mesmo princípio de Van Gogh, a vida e a obra de Gauguin são evocadas a partir de suas próprias telas. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-weight: bold;"&gt;GUERNICA&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;1950-51, p&amp;amp;b, 35mm, 13 min&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;ireção: Alain Resnais e Robert Hessens. Texto: Paul Éluard. &lt;/div&gt;&lt;span style="font-family:trebuchet ms;"&gt;O bombardeamento da cidade de Guernica pela aviação nazista, em favor de Franco, é evocado através do afresco de Picasso e de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;outras de suas obras.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_IecNWFpDC7U/SKDMQkL3imI/AAAAAAAAAPE/Rdxh3jWDXrQ/s1600-h/1953_as+estatuas+tambem+morrem-03.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_IecNWFpDC7U/SKDMQkL3imI/AAAAAAAAAPE/Rdxh3jWDXrQ/s320/1953_as+estatuas+tambem+morrem-03.jpg" alt="" id="BLOGGER_PHOTO_ID_5233407351967943266" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;AS ESTÁTUAS TAMBÉM MORREM | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;LES STATUES MEURENT AUSSI&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1950-53, p&amp;amp;b, 35mm, 29 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Direção: Alain Resnais e Chris Marker. Texto: Chris Marker. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Um documentário sobre a arte negra torna-se um panfleto anti-colonialista e anti-racista. Neste potente poema, ritmado pelas formas das estátuas africanas e pelo texto de Chris Marker, expõe-se a opressão e a destruição de uma arte e de um povo por outro povo.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;NOITE E NEVOEIRO &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;| NUIT ET BROUILLARD&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1955, cor e p&amp;amp;b, 35mm, 32 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Direção: Alain Resnais. Texto: Jean Cayrol. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Um filme sobre os campos de concentração nazistas, encomendado pelo Comitê de História da Segunda Guerra Mundial. As paisagens serenas e coloridas do presente procuram esconder, por trás das flores e da grama verde, horrores passados e futuros.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;TODA A MEMÓRIA DO MUNDO | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;TOUTE LA MÉMOIRE DU MONDE&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1956, p&amp;amp;b, 35mm, 22 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Rémo Forlani. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Nas entranhas da Biblioteca Nacional, quem sabe qual será, amanhã, o testemunho mais confiável de nossa civilização? De corredor em corredor, de livro em livro, desdobra-se o labirinto.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;O CANTO DO ESTIRENO &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;| LE CHANT DU STYRÈNE&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1958, cor, 35mm, 14 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Texto: Raymond Queneau. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Documentário sobre a fabricação da matéria plástica, no qual a narração em versos alexandrinos de Raymond Queneau alia-se à tela larga do cinemascope.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;p&gt;&lt;img id="BLOGGER_PHOTO_ID_5233336678277894578" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://4.bp.blogspot.com/_IecNWFpDC7U/SKCL-0LG0bI/AAAAAAAAAOE/-lu-pFtsXHw/s400/hiroshima-mon-amour.jpg" border="0" /&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;HIROSHIMA, MEU AMOR &lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;| HIROSHIMA MON AMOUR&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;br /&gt;1959, p&amp;amp;b, 35mm, 90 min&lt;br /&gt;Roteiro: Marguerite Duras.&lt;br /&gt;Durante sua participação num filme sobre a paz, rodado em Hiroshima, uma atriz francesa tem uma aventura amorosa com um japonês, o que reaviva nela lembranças de uma trágica paixão durante a Ocupação. Entre o passado de guerra e o presente de incertezas, ele (Hiroshima) e ela (Nevers) tentam tornar imortal este encontro fortuito, através da mistura de tempos, recordações e corpos.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5233340042003675394" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://1.bp.blogspot.com/_IecNWFpDC7U/SKCPCnB0-QI/AAAAAAAAAOU/qkiK1YGv-tQ/s400/meutiodaamerica.jpg" border="0" /&gt;&lt;span style="font-weight: bold;"&gt;O ANO PASSADO EM MARIENBAD | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;L'ANNÉE DERNIÈRE À MARIENBAD&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1961, p&amp;amp;b, 35mm, 93 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Alain Robbe-Grillet. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Num imenso e luxuoso palácio barroco, transformado em hotel (e em labirinto espaço-temporal), entre corredores, salões decorados e estátuas, um estranho tenta convencer uma mulher casada a fugir consigo. Ele diz conhecê-la. Diz que foram amantes. Entretanto, parece difícil fazê-la lembrar de que tiveram um caso (ou que não tiveram) no ano passado, em Marienbad – ou seria Frederiksbad?&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;MURIEL OU O TEMPO DE UM RETORNO | &lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;MURIEL OU LE TEMPS D'UM RETOUR&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1963, cor, 35mm, 116 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jean Cayrol.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Uma jovem viúva, Hélène, dona de um antiquário na cidade reconstruída e mal cicratizada de Boulogne-sur-Mer, sonha em rever sua grande paixão adolescente, sem saber que ele se tornou um homem medíocre. Enquanto isso, seu enteado tem seu espírito dominado pelas lembranças de Muriel, uma moça torturada na Argélia, durante a guerra.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;A GUERRA ACABOU | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;LA GUERRE EST FINIE&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1966, p&amp;amp;b, 35mm, 121 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jorge Semprun. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Diego, militante comunista espanhol, habituado às passagens de fronteira para missões clandestinas, retorna a Paris, onde vive com um nome falso, na tentativa de encontrar um de seus companheiros e impedi-lo de voltar a Madri, onde poderá ser preso pela polícia franquista.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;EU TE AMO, EU TE AMO | &lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;JE T'AIME JE T'AIME&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1968, cor, 35mm, 91 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jacques Sternberg. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Após uma tentativa de suicídio, Claude Ridder é selecionado para participar de uma experiência científica de viagem no tempo que só havia sido testada em ratos. Ele é enviado a um ano antes, onde se encontra feliz, ao lado de sua mulher, Catrine. Mas algo errado na experiência faz com que ele reviva momentos de seu passado em ordem aleatória.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;STAVISKY...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1974, cor, 35mm, 115 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jorge Semprun. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Enquanto Trótski obtém asilo político em território francês, o industrial e escroque Serge Alexandre, na pele de Stavisky, com seu charme e talento irresistíveis, consegue estar sempre cercado de muitos amigos, dentre eles, membros influentes da elite industrial e política francesa do começo dos anos 30. Mas quando seu grande golpe, envolvendo milhões de francos, é exposto, o resultado é um escândalo que quase leva a uma guerra civil.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;PROVIDENCE&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1976, cor, 35mm, 110 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: David Mercer. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Numa noite de insônia, Clive Langham, um velho escritor, embriagado e doente, embaralha o imaginário de seu próximo romance à realidade, “encenando” situações inusitadas com membros de sua própria família: o suicídio de sua esposa, um processo judiciário opondo seus dois filhos, execuções sumárias por membros de uma milícia etc.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;MEU TIO DA AMÉRICA | &lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;MON ONCLE D'AMÉRIQUE&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1980, cor, 35mm, 125 min&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jean Gruault. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Os destinos cruzados de três personagens sob o olhar de uma quarta cobaia: o biólogo Henri Laborit, que explica sua própria teoria sobre como o ambiente interfere na formação da personalidade dos seres humanos. Mas desta vez, ao invés de ratos de laboratório, os objetos de investigação são dois homens e uma mulher, de cidades, origens sociais e famílias diferentes, cujas vidas são acompanhadas desde a infância até a fase adulta.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;A VIDA É UM ROMANCE &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;| LA VIE EST UM ROMAN&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1983, cor, 35mm, 111 min&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jean Gruault.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Um utopista constrói o Templo da Felicidade nos anos 1910, onde se realiza um experimento que busca criar uma sociedade perfeita na qual as angústias poderiam ser excluídas da vida cotidiana. Setenta anos mais tarde, um colóquio sobre a educação é organizado nesse mesmo local, enquanto que três crianças imaginam uma lenda medieval.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;MORRER DE AMOR | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;L'AMOUR À MORT&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;1984, cor, 35mm, 92 min&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jean Gruault.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;div&gt;&lt;span style="font-family:trebuchet ms;"&gt;Elisabeth e Simon estão profundamente apaixonados por dois meses, quando Simon momentaneamente morre, mas volta à vida. Simon não quer promover nenhum teste médico, mas o casal é forçado a lutar contra a possibilidade de sua morte. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5233342485052123330" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_IecNWFpDC7U/SKCRQ0F96MI/AAAAAAAAAOc/AC9fYjoNO-4/s400/resnais-melo.jpg" border="0" /&gt;&lt;span style="font-weight: bold;"&gt;MELÔ | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;MÉLO&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1986, cor, 35mm, 112 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Henri Bernstern.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Na Paris dos anos 20, Romaine, esposa de um violinista de orquestra, fica fascinada por um amigo de juventude de seu marido, Marcel Blanc, um solista de carreira internacional que vem jantar em sua casa. Apaixonada por ele, ela instiga seu relacionamento amoroso, mesmo quando seu marido, Pierre, fica doente. Romaine chega a dar a Pierre um tratamento que piora sua doença, mas depois reconsidera a traição. Três anos depois, Pierre cobra de Marcel a verdade. Adaptação de uma peça de Henry Bernstein, de 1929.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;QUERO IR PRA CASA | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;I WANT TO GO HOME&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1989, cor, 35mm, 105 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jules Feiffer. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Joey Wellman, um cartunista americano ranzinza, aceita o convite para uma exposição em Paris, porque sua filha Elsie está estudando na cidade. Ele logo quer voltar para casa, pois o choque cultural é quase intolerável para ele. Até que o professor Christian Gauthier, apaixonado pela cultura americana, convida Joey e outros americanos para um fim de semana na casa de sua mãe. Elsie chega à reunião e se surpreende ao ver seu pai sendo sutilmente seduzido pela cultura francesa.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;SMOKING / NO SMOKING&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1993, cor, 35mm, 140 e 144 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Jean-Pierre Bacri e Agnès Jaoui. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Oito histórias diferentes que tratam da vida de cinco mulheres, todas interpretadas por uma só atriz, e quatro homens, também interpretados pelo mesmo ator, a partir das possíveis escolhas determinantes que cada um pode fazer em sua vida, capazes de mudar inteiramente seus destinos. Adaptação da peça Intimate Exchanges (1982) de Alan Ayckbourn.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;AMORES PARISIENSES &lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;| ON CONNAÎT LA CHANSON&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;1997, cor, 35mm, 120 min&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Roteiro: Agnes Jaoui e Jean-Pierre Bacri. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;Odile está à procura de um apartamento maior e sua irmã Camille acaba se apaixonando pelo corretor do novo apartamento. Agentes imobiliários, proprietários, uma doutoranda e um amigo de juventude em limosine: cada um busca sua casa ou a si mesmo, entre canções e canções populares de outrora... &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5233381315493520370" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_IecNWFpDC7U/SKC0lCwoY_I/AAAAAAAAAOk/L3UBI-B5JNs/s400/resnais-pas_sur_la_bouche_01.jpg" border="0" /&gt;&lt;span style="font-weight: bold;"&gt;NA BOCA, NÃO &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;| PAS SUR LA BOUCHE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;2003, cor, 35mm, 116 min&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Um próspero industrial de metalurgia, Georges Valandrey, é casado com Gilberte e acha que é seu primeiro homem. Gilberte esconde-lhe que já havia sido casada, com o americano Eric Thomson e que quebrou seus votos porque este não suportava ser beijado na boca. Por um conjunto de circunstâncias extraordinárias, Georges convida Eric para jantar em sua casa, para tratarem de negócios. Enquanto isso, o jovem artista Charly persegue Gilberte, mas a irmã desta, Arlette, tenta casá-lo com a jovem Huguette. Baseado na opereta cômica Pas sur la Bouche!, de 1925. &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5233337948830296866" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_IecNWFpDC7U/SKCNIxWZ6yI/AAAAAAAAAOM/I3vGcWcWexo/s400/coeurs.jpg" border="0" /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;COEURS | &lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-weight: bold;"&gt;MEDOS PRIVADOS EM LUGARES PÚBLICOS &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;2006, cor, 35mm, 122 min&lt;br /&gt;Roteiro: Alan Ayckbourn e Jean-Michel Ribes. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Em Paris, três homens e três mulheres que não se conhecem vivem no mesmo bairro. Todos são pessoas solitárias, com destinos que ora se cruzam, ora se afastam, cujas vidas interagem durante quatro dias. Adaptação de uma peça de Alan Ayckbourn (2004).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ABORDANDO ALAIN RESNAIS, UM REVOLUCIONÁRIO DISCRETO | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;UNE APPROCHE D’ALAIN RESNAIS, RÉVOLUTIONNAIRE DISCRET&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;1980, p&amp;amp;b e cor, 59 min&lt;br /&gt;Direção e Roteiro: Michel Le Clerc&lt;br /&gt;A carreira de Alain Resnais até Meu tio da América, com os testemunhos de seus roteiristas e dos que o conheceram nos anos 1940 e 1950.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;O ATELIER DE ALAIN RESNAIS: EM TORNO DE AMORES PARISIENSES| &lt;/span&gt;&lt;span style="font-weight: bold;font-family:trebuchet ms;" &gt;L’ATELIER D’ALAIN RESNAIS: AUTOUR D’ON CONNAÎT LA CHANSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;1997, cor, 50 min&lt;br /&gt;Direção: François Thomas&lt;br /&gt;Os métodos de trabalho de Resnais são expostos por seus colaboradores, da escrita do roteiro à partitura musical. Neste documentário, Resnais define o cinema como uma arte de ateliê.&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-4588959755477416013?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/4588959755477416013/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=4588959755477416013' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/4588959755477416013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/4588959755477416013'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/sinopses-dos-filmes.html' title='Filmes exibidos na mostra'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_IecNWFpDC7U/SKDMQkL3imI/AAAAAAAAAPE/Rdxh3jWDXrQ/s72-c/1953_as+estatuas+tambem+morrem-03.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-2595650090015111402</id><published>2008-08-11T14:39:00.009-03:00</published><updated>2008-08-14T11:28:38.260-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='programação'/><title type='text'>Programação RIO DE JANEIRO</title><content type='html'>&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;De 19 de agosto a 07 de setembro de 2008&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;19 de agosto TERÇA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Abordando Alain Resnais, um revolucionário discreto (Une approche d’Alain Resnais, révolutionnaire discret), 1980, 59 min, Beta, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;20 de agosto QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - O ano passado em Marienbad (L’Année dernière à Marienbad), 1961, 93 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Morrer de amor (L’Amour à mort), 1984, 92 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;21 de agosto QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Quero ir para casa (I want to go home), 1989, 105 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Na boca, não (Pas sur la bouche), 2003, 116 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Melô (Mélo), 1986, 112 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;22 de agosto SEXTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Curtas 1, total 43 min, 14 anos,&lt;br /&gt;Van Gogh (Van Gogh), 1948, 18 min, 35mm, l.e.p.&lt;br /&gt;Paul Gauguin (Paul Gauguin), 1950, 12 min, 35mm, l.e.p.&lt;br /&gt;Guernica (Guernica), 1950, 13 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;23 de agosto SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;18h45&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - O ano passado em Marienbad (L’Année dernière à Marienbad), 1961, 93 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;24 de agosto DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;12h&lt;/strong&gt; - Eu te amo, eu te amo (Je t’aime, je t’aime), 1968, 91 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Curtas 3, total 41 min, 14 anos&lt;br /&gt;Toda a memória do mundo (Toute la mémoire du monde), 1956, 22 min, 35mm, l.e.p.&lt;br /&gt;O canto do estireno (Le Chant du styrène), 1958, 19 min, 35mm, l.e.p.&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - A guerra acabou (La Guerre est finie), 1966, 121 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;26 de agosto TERÇA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - A guerra acabou (La Guerre est finie), 1966, 121 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - O ateliê de Alain Resnais: em torno de “Amores parisienses” (L’Atelier d’Alain Resnais: autour d’On connaît la chanson), 1997, 50 min, Beta, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Amores parisienses (On connaît la chanson), 1997, 120 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;27 de agosto QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Eu te amo, eu te amo (Je t’aime, je t’aime), 1968, 91 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - No Smoking (No Smoking), 1993, 144 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;28 de agosto QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Medos privados em lugares públicos (Cœurs), 2006, 122 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Smoking (Smoking), 1993, 140 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;29 de agosto SEXTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(0,0,0)"&gt;&lt;/strong&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - A vida é um romance (La Vie est un roman), 1983, 111 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Morrer de amor (L’Amour à mort), 1984, 92 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;30 de agosto SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;16h&lt;/strong&gt; - DEBATE: Alain Resnais, um revolucionário discreto?&lt;br /&gt;Com César Migliorin, Consuelo Lins e Simplício Neto.&lt;br /&gt;&lt;strong&gt;19h&lt;/strong&gt; - Providence (Providence), 1976, 110 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;31 de agosto DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;12h&lt;/strong&gt; - Quero ir para casa (I want to go home), 1989, 105 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Melô (Mélo), 1986, 112 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;02 de setembro TERÇA&lt;/span&gt;&lt;br /&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Providence (Providence), 1976, 110 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Curtas 1, total 43 min, 14 anos&lt;br /&gt;Van Gogh (Van Gogh), 1948, 18 min, 35mm, l.e.p.&lt;br /&gt;Paul Gauguin (Paul Gauguin), 1950, 12 min, 35mm, l.e.p.&lt;br /&gt;Guernica (Guernica), 1950, 13 min, 35mm, l.p.&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;03 de setembro QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - O ano passado em Marienbad (L’Année dernière à Marienbad), 1961, 93 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;04 de setembro QUINT&lt;/span&gt;A&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - Abordando Alain Resnais, um revolucionário discreto (Une approche d’Alain Resnais, révolutionnaire discret), 1980, 59 min, Beta, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Curtas 3, total 41 min, 14 anos&lt;br /&gt;Toda a memória do mundo (Toute la mémoire du monde), 1956, 22 min, 35mm, l.e.p.&lt;br /&gt;O canto do estireno (Le Chant du styrène), 1958, 19 min, 35mm, l.e.p.&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;05 de setembro SEXTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;13h&lt;/strong&gt; - Curso TEMPO E MEMÓRIA: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;15h&lt;/strong&gt; - A vida é um romance (La Vie est un roman), 1983, 111 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Smoking (Smoking), 1993, 140 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - No Smoking (No Smoking), 1993, 144 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;06 de setembro SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;19h&lt;/strong&gt; - O ateliê de Alain Resnais: em torno de “Amores parisienses” (L’Atelier d’Alain Resnais: autour d’On connaît la chanson), 1997, 50 min, Beta, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Na boca, não (Pas sur la bouche), 2003, 116 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;07 de setembro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;12h&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h30&lt;/strong&gt; - Amores parisienses (On connaît la chanson), 1997, 120 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;20h&lt;/strong&gt; - Medos privados em lugares públicos (Cœurs), 2006, 122 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;br /&gt;&gt; l.e.p.: legendas eletrônicas em português&lt;br /&gt;&gt; l.p.: legendas em português&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-2595650090015111402?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/2595650090015111402/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=2595650090015111402' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/2595650090015111402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/2595650090015111402'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/programao-no-rio-de-janeiro-de-19-de.html' title='Programação RIO DE JANEIRO'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-3542155624435507331</id><published>2008-08-11T14:38:00.006-03:00</published><updated>2008-08-14T18:58:32.849-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='programação'/><title type='text'>Programação SÃO PAULO</title><content type='html'>&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;De 03 a 21 de setembro&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;03 de setembro QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Abordando Alain Resnais, um revolucionário discreto (Une approche d’Alain Resnais, révolutionnaire discret), 1980, 59 min, Beta, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Melô (Mélo), 1986, 112 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Morrer de amor (L’Amour à mort), 1984, 92 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;04 de setembro QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Quero ir para casa (I want to go home), 1989, 105 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - A vida é um romance (La Vie est un roman), 1983, 111 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Providence (Providence), 1976, 110 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;05 de setembro SEXTA&lt;/span&gt;&lt;br /&gt;14h30&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 1, total 43 min, 14 anos&lt;br /&gt;Van Gogh (Van Gogh), 1948, 18 min, 35mm, l.e.p.&lt;br /&gt;Paul Gauguin (Paul Gauguin), 1950, 12 min, 35mm, l.e.p.&lt;br /&gt;Guernica (Guernica), 1950, 13 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;06 de setembro SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;10h&lt;/strong&gt; - Curso ESPAÇO E IMAGINÁRIO: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 3, total 41 min, 14 anos&lt;br /&gt;Toda a memória do mundo (Toute la mémoire du monde), 1956, 22 min, 35mm, l.e.p.&lt;br /&gt;O canto do estireno (Le Chant du styrène), 1958, 19 min, 35mm, l.e.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - L’Année dernière à Marienbad (O ano passado em Marienbad), 1961, 93&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;07 de setembro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - A guerra acabou (La Guerre est finie), 1966, 121 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Eu te amo, eu te amo (Je t’aime, je t’aime), 1968, 91 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;09 de setembro TERÇA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;19h&lt;/strong&gt; - DEBATE: Alain Resnais, mestre do tempo ou do espaço?&lt;br /&gt;Com Ismail Xavier, Fernando Passos e Luiz Carlos Oliveira Jr.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;10 de setembro QUARTA&lt;/span&gt;&lt;br /&gt;14h30&lt;/strong&gt; - O ateliê de Alain Resnais: em torno de “Amores parisienses” (L’Atelier d’Alain Resnais: autour d’On connaît la chanson), 1997, 50 min, Beta, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Amores parisienses (On connaît la chanson), 1997, 120 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - No Smoking (No Smoking), 1993, 144 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;11 de setembro QUINTA&lt;/span&gt;&lt;br /&gt;14h30&lt;/strong&gt; - Medos privados em lugares públicos (Cœurs), 2006, 122 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Na boca, não (Pas sur la bouche), 2003, 116 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Smoking (Smoking), 1993, 140 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;12 de setembro SEXTA&lt;/span&gt;&lt;br /&gt;14h30&lt;/strong&gt; - Eu te amo, eu te amo (Je t’aime, je t’aime), 1968, 91 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - A guerra acabou (La Guerre est finie), 1966, 121 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Quero ir para casa (I want to go home), 1989, 105 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;13 de setembro SÁBADO&lt;/span&gt;&lt;br /&gt;10h&lt;/strong&gt; - Curso ESPAÇO E IMAGINÁRIO: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - A vida é um romance (La Vie est un roman), 1983, 111 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Providence (Providence), 1976, 110 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;14 de setembro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Morrer de amor (L’Amour à mort), 1984, 92 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Melô (Mélo), 1986, 112 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;17 de setembro QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 1, total 43 min, 14 anos&lt;br /&gt;Van Gogh (Van Gogh), 1948, 18 min, 35mm, l.e.p.&lt;br /&gt;Paul Gauguin (Paul Gauguin), 1950, 12 min, 35mm, l.e.p.&lt;br /&gt;Guernica (Guernica), 1950, 13 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;18 de setembro QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - L’Année dernière à Marienbad (O ano passado em Marienbad), 1961, 93&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 3, total 41 min, 14 anos&lt;br /&gt;Toda a memória do mundo (Toute la mémoire du monde), 1956, 22 min, 35mm, l.e.p.&lt;br /&gt;O canto do estireno (Le Chant du styrène), 1958, 19 min, 35mm, l.e.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;19 de setembro SEXTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Abordando Alain Resnais, um revolucionário discreto (Une approche d’Alain Resnais, révolutionnaire discret), 1980, 59 min, Beta, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;20 de setembro SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;10h&lt;/strong&gt; - Curso ESPAÇO E IMAGINÁRIO: O CINEMA DE ALAIN RESNAIS&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - O ateliê de Alain Resnais: em torno de “Amores parisienses” (L’Atelier d’Alain Resnais: autour d’On connaît la chanson), 1997, 50 min, Beta, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Amores parisienses (On connaît la chanson), 1997, 120 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Na boca, não (Pas sur la bouche), 2003, 116 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;21 de setembro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - No Smoking (No Smoking), 1993, 144 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Smoking (Smoking), 1993, 140 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Medos privados em lugares públicos (Cœurs), 2006, 122 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;br /&gt;&gt; l.e.p.: legendas eletrônicas em português&lt;br /&gt;&gt; l.p.: legendas em português&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-3542155624435507331?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/3542155624435507331/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=3542155624435507331' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/3542155624435507331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/3542155624435507331'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/programao-em-so-paulo-de-03-21-de.html' title='Programação SÃO PAULO'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-5535430054403415848</id><published>2008-08-11T14:35:00.004-03:00</published><updated>2008-08-14T11:27:34.921-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='programação'/><title type='text'>Programação BRASILIA</title><content type='html'>&lt;span style="font-family:trebuchet ms;"&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;De 16 de setembro a 5 de outubro 2008&lt;br /&gt;&lt;br /&gt;16 de setembro TERÇA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Abordando Alain Resnais, um revolucionário discreto (Une approche d’Alain Resnais, révolutionnaire discret), 1980, 59 min, Beta, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - No Smoking (No Smoking), 1993, 144 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Na boca, não (Pas sur la bouche), 2003, 116 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;17 de setembro QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - A vida é um romance (La Vie est un roman), 1983, 111 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Smoking (Smoking), 1993, 140 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Melô (Mélo), 1986, 112 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;18 de setembro QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Abordando Alain Resnais, um revolucionário discreto (Une approche d’Alain Resnais, révolutionnaire discret), 1980, 59 min, Beta, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Morrer de amor (L’Amour à mort), 1984, 92 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Providence (Providence), 1976, 110 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;19 de setembro SEXTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Quero ir para casa (I want to go home), 1989, 105 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 1, total 43 min, 14 anos.&lt;br /&gt;Van Gogh (Van Gogh), 1948, 18 min, 35mm, l.e.p.&lt;br /&gt;Paul Gauguin (Paul Gauguin), 1950, 12 min, 35mm, l.e.p.&lt;br /&gt;Guernica (Guernica), 1950, 13 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;20 de setembro SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos. 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 3, total 41 min, 14 anos.&lt;br /&gt;Toda a memória do mundo (Toute la mémoire du monde), 1956, 22 min, 35mm, l.e.p.&lt;br /&gt;O canto do estireno (Le Chant du styrène), 1958, 19 min, 35mm, l.e.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - O ano passado em Marienbad (L’Année dernière à Marienbad), 1961, 93 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;21 de setembro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - A guerra acabou (La Guerre est finie), 1966, 121 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Eu te amo, eu te amo (Je t’aime, je t’aime), 1968, 91 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;23 de setembro TERÇA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;24 de setembro QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Medos privados em lugares públicos (Cœurs), 2006, 122 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos. 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;25 de setembro QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - O ateliê de Alain Resnais: em torno de “Amores parisienses” (L’Atelier d’Alain Resnais: autour d’On connaît la chanson), 1997, 50 min, Beta, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Amores parisienses (On connaît la chanson), 1997, 120 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,255,204)"&gt;26 de setembro SEXTA&lt;/span&gt;&lt;br /&gt;14h30&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - O ano passado em Marienbad (L’Année dernière à Marienbad), 1961, 93 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Quero ir para casa (I want to go home), 1989, 105 min, 35mm, l.p., 12 anos &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;27 de setembro SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - A vida é um romance (La Vie est un roman), 1983, 111 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Providence (Providence), 1976, 110 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;28 de setembro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Melô (Mélo), 1986, 112 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Morrer de amor (L’Amour à mort), 1984, 92 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;30 de setembro TERÇA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Stavisky ou O império de Alexandre (Stavisky...), 1974, 115 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - A guerra acabou (La Guerre est finie), 1966, 121 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;1º de outubro QUARTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - O ano passado em Marienbad (L’Année dernière à Marienbad), 1961, 93 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Curtas 1, total 43 min, 14 anos.&lt;br /&gt;Van Gogh (Van Gogh), 1948, 18 min, 35mm, l.e.p.&lt;br /&gt;Paul Gauguin (Paul Gauguin), 1950, 12 min, 35mm, l.e.p.&lt;br /&gt;Guernica (Guernica), 1950, 13 min, 35mm, l.p.&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;02 de outubro QUINTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Muriel ou O tempo de um retorno (Muriel ou le temps d’un retour), 1963, 116 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Curtas 2, total 61 min, 16 anos. 16 anos&lt;br /&gt;As estátuas também morrem (Les Statues meurtent aussi), 1953, 29 min, 35mm, l.p.&lt;br /&gt;Noite e nevoeiro (Nuit et brouillard), 1955, 32 min, 35mm, l.p.&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Curtas 3, total 41 min, 14 anos.&lt;br /&gt;Toda a memória do mundo (Toute la mémoire du monde), 1956, 22 min, 35mm, l.e.p.&lt;br /&gt;O canto do estireno (Le Chant du styrène), 1958, 19 min, 35mm, l.e.p.&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;3 de outubro SEXTA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - Meu tio da América (Mon oncle d’Amérique), 1980, 125 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Hiroshima, meu amor (Hiroshima mon amour), 1959, 91 min, 35mm, l.p., 16 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Eu te amo, eu te amo (Je t’aime, je t’aime), 1968, 91 min, 35mm, l.e.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;04 de outubro SÁBADO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - O ateliê de Alain Resnais: em torno de “Amores parisienses” (L’Atelier d’Alain Resnais: autour d’On connaît la chanson), 1997, 50 min, Beta, l.e.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Amores parisienses (On connaît la chanson), 1997, 120 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Na boca, não (Pas sur la bouche), 2003, 116 min, 35mm, l.e.p., 12 anos&lt;br /&gt;&lt;br /&gt;&lt;strong style="COLOR: rgb(255,255,204)"&gt;5 de outubro DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;14h30&lt;/strong&gt; - No Smoking (No Smoking), 1993, 144 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;17h&lt;/strong&gt; - Smoking (Smoking), 1993, 140 min, 35mm, l.p., 12 anos&lt;br /&gt;&lt;strong&gt;19h30&lt;/strong&gt; - Medos privados em lugares públicos (Cœurs), 2006, 122 min, 35mm, l.p., 14 anos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2715662057889678735-5535430054403415848?l=mostra-alain-resnais.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mostra-alain-resnais.blogspot.com/feeds/5535430054403415848/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2715662057889678735&amp;postID=5535430054403415848' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/5535430054403415848'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2715662057889678735/posts/default/5535430054403415848'/><link rel='alternate' type='text/html' href='http://mostra-alain-resnais.blogspot.com/2008/08/programao-em-braslia-de-16-de-setembro.html' title='Programação BRASILIA'/><author><name>Mostra Alain Resnais</name><uri>http://www.blogger.com/profile/00416405493253633878</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2715662057889678735.post-5076304206012918725</id><published>2008-08-02T19:05:00.000-03:00</published><updated>2008-08-02T19:10:00.414-03:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_IecNWFpDC7U/SJTbHHnyFqI/AAAAAAAAANw/zPJhb5K43vg/s1600-h/mostra-alain-resnais-cartaz.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; 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